THE ARTS

VICTORIAN PAINTING.

The second half of the 19th century has been called the positivist age and  one of the most fascinating periods in British history. It has been an age of faith in the positive consequences of what can be achieved through the close observation of the natural and human realms.

   The spirit of 19th century England could be personified through Queen Victoria and it's known as the Victorian era. It is covering the eclectic period of 64-year reign of Queen Victoria from 1837 to 1901. British Empire became the most powerful, and England the most modern, and wealthy country in the World.

   The faith that science and its objective methods could solve all human problems was not novel. The idea of human progress had been gradually maturing. The world was truly progressing at break-neck speed, with new inventions, ideas, and advancements - scientific, literary, and social - developing. The middle class became self-made men and women who reaped of profits. Prosperity brought a large number of art consumers, with money to spend on art.

   When most people think of the Victorian era, high fashion, gilded age, rich with elegance, splendor, and romance, strict etiquette, and plush or eclectic decorating styles come to mind - but it was so much more than that. Victorian era covers Classicism, Neoclassicism, Romanticism, Impressionism, and Post-Impressionism. Classicism, with the accurate and apparently objective description of the ordinary, observable world, was specially viewed as the opposite of Romanticism. Paintings of the Romantic school were focused on spontaneous expression of emotion over reason and often depicted dramatic events in brilliant color. Impressionism, a school of painting that developed in the late 19th century, was characterized by transitory visual expressions that focused on the changing effects of light and color. Post-Impressionism was developed as a reaction to the limitations of Impressionism. Victorian art was shown in the full range of artistic developments, from the development of photography to the application of new technologies in architecture.

   In the midst of these artistic movements, painters Dante Rossetti and William Holman Hunt formed the Pre-Raphaelite Brotherhood in 1848. The avant-garde artists banded together with the common vision of recapturing the style of painting that preceded Raphael, famed artist of the Italian Renaissance. The brotherhood rejected the conventions of industrialized England, especially the creative principles of art instruction at the Royal Academy. Rather, the artists focused on painting directly from nature, thereby producing colorful, detailed, and almost photographic representations.

The painters sought to transform Realism with typological symbolism, by drawing on the poetry and literature of William Shakespeare and their own contemporaries.

MAIN REPRESENTATIVES

• Dante Rossetti.
• William Holman Hunt
• Sir John Everett Millais.
• Arthur Hughes
• John William Waterhouse
• Sir Lawrence Alma-Tadema

 

The Lady of Shalott (1892) by John William Waterhouse

 

Ophelia (1852) by Sir John Everett Millais

                   Las rosas de Heliogábalo (1888) by Sir Lawrence Alma- Tadema

 

VICTORIAN LITERATURE

It is the literature produced during the reign of Queen Victoria (1837–1901) (the Victorian era). It forms a link and transition between the writers of the romantic period and the very different literature of the 20th century. Along with romance novels, there were many horror novels written as well.

Victorian novels tend to be idealized portraits of difficult lives in which hard work, perseverance, love and luck win out in the end; virtue would be rewarded and wrongdoers are suitably punished. They tended to be of an improving nature with a central moral lesson at heart. While this formula was the basis for much of earlier Victorian fiction, the situation became more complex as the century progressed.

THE MOST IMPORTANT VICTORIAN NOVELISTS.

Charles Dickens is a prime exemplar of Victorian novelist. Extraordinarily popular in his day with his characters taking on a life of their own beyond the page, Dickens is still one of the most popular and read authors of that time. His first real novel, The Pickwick Papers, written at only twenty-five, was an overnight success, and all his subsequent works sold extremely well. He worked diligently and prolifically to produce entertaining writing the public wanted, but also to offer commentary on social challenges of the era. The comedy of his first novel has a satirical edge which pervades his writings. These deal with the plight of the poor and oppressed and end with a ghost story cut short by his death. The slow trend in his fiction towards darker themes is mirrored in much of the writing of the century, and literature after his death in 1870 is notably different from that at the start of the era.

William Thackeray was Dickens's great rival at the time. With a similar style but a slightly more detached, acerbic and barbed satirical view of his characters, he also tended to depict situations of a more middle class flavour than Dickens. He is best known for his novel Vanity Fair, subtitled A Novel without a Hero, which is also an example of a form popular in Victorian literature: the historical novel, in which very recent history is depicted. Anthony Trollope tended to write about a slightly different part of the structure, namely the landowning and professional classes.

 

The Brontë sisters wrote fiction rather different from that common at the time.

Away from the big cities and the literary society, Haworth in West Yorkshire held a powerhouse of novel writing: the home of the Brontë family. Anne, Charlotte and Emily Brontë had time in their short lives to produce masterpieces of fiction although these were not immediately appreciated by Victorian critics. Wuthering Heights, Emily's only work, in particular has violence, passion, the supernatural, heightened emotion and emotional distance, an unusual mix for any novel but particularly at this time. It is a prime example of Gothic Romanticism from a woman's point of view during this period of time, examining class, myth, and gender. Another important writer of the period was George Eliot, a pseudonym which concealed a woman, Mary Ann Evans, who wished to write novels which would be taken seriously rather than the romances which women of the time were supposed to write.

OTHER VERY IMPORTANT NAMES YOU MAY WANT TO INVESTIGATE

• Alfred Lord Tennyson.
• Elizabeth Barret Browning.
• Robert Browning.
• George Bernard Shaw.
• Oscar Wilde.
• Robert Louis Stevenson.
• Sir Arthur Conan Doyle.
• Bram Stoker.
• Sir Walter Scott.